part two in alden tyrell s latest project: vorm variaties, a 5 release series consisting of tracks recorded in the last 2 years. all tracks selected are variations on classic techno forms, using classic style ingredients and the 909. all 5 variaties are different in style, yet all homogenous, all with alden tyrells sound signature... on point production skills and stripped down arrangements.

triple lp and bonus 7 inch with 8 page booklet. includes free mp3 download with 8 extra tracks.
soundway records present kenya special: selected east african recordings from the 1970s & 80s - a treasure-trove of rare and unusual recordings from east africa. kenya special is accompanied by detailed liner notes, original artwork and photographs. it follows on from soundways much acclaimed african special series that to date has focused on the highlife and afrobeat output from 1970s nigeria and ghana.

collection of recordings from one of tanzania’s most revered but short-lived bands of the 1970s, sunburst. covering their entire output from 1973 to 1976, this first retrospective features music from their 45 rpm singles on moto moto and tfc label, as well as their sole album, “ave africa”, and an unreleased radio session recorded in tanzania in 1973.
this release comprises of the double vinyl and a copy of the cd version, which contains extra tracks.

continuously reimagining his sound and style, the grammy-winning artist sharam digsdeep into his bag of production tricks for his new project collecti, drawing heavily from the darker influences of techno. the album is comprised of a host of new material that he has been field testing with incredible response. -collecti is a culmination of work that represents my endeavors into a sound that has always been near and dear to my heart and central to my sets: techno. for my last album retroactive, i was fixated on all of my influences over the years, for this album, however, my focus is on the darker realms. these records are my dance floor experiments, my secret weapons, tracks that have been driving my sets and i m excited to share this body of work with everyone.- - sharam æscorpi has been tested to wild acclaim. its roaring vocal-synth riffs and heavy bass line have become one of sharam s secret peak-time tools, so much so that he s almost reluctant sharing it. mini is more subdued, channeling some maurizio influence with a long, continuously-modulating riff and tripped-out sounds. dj support: alan fitzpatrick mladen tomic sam paganini nicolas massayeff noir bart skills chris fortier

continuously reimagining his sound and style, the grammy-winning artist sharam digsdeep into his bag of production tricks for his new project collecti, drawing heavily from the darker influences of techno. the album is comprised of a host of new material that he has been field testing with incredible response. -collecti is a culmination of work that represents my endeavors into a sound that has always been near and dear to my heart and central to my sets: techno. for my last album retroactive, i was fixated on all of my influences over the years, for this album, however, my focus is on the darker realms. these records are my dance floor experiments, my secret weapons, tracks that have been driving my sets and i m excited to share this body of work with everyone.- - sharam æspaci is the closest the album gets to house territory, with a groovy bassline and scattering drum fills, while a remastered version of sharam s 2010 tour de force hemi populates this single s b-side, a spastic eight-minute epic that pits chaotic synth squeals and chopped up noise against trudging, liquified bass. dj support: alan fitzpatrick layton giordani andres campo boris sam paganini arjun vagale

its clear from the opening seconds of tu fawnings debut full length, hearts on hold, that theres something very, very different about this portland, oregon band. the two note trumpet refrain of >multiply a house< that echoes like the distant sound of a battlefield, the ghostly chanting writhing around it as though in a trance, the funereal drums that boom in the background and the harmonies emerging as the chorus unfurls: these are not the sound of your everyday indie rock act.

pittsburghs most loved sons, the modey lemon, rip through 3 years of silence with their new record, season of sweets. with one foot in the sci fi darkness of their last record curious city, one foot in their past garage angst ridden wreckage and one foot in the kautrock brilliance of the german frontier (what, three feet?) season of sweets is a fuzzed out, driving masterpiece with catchy hooks beaten to death by guitar / synth mayhem and the anchor of paul quattrones drums of passion. as primitive as it is futuristic, modey lemon is recreating the present, molecule by molecule, every second of every breath. the trio from pittsburgh returns with another helping of sugary sweetness that rots your teeth and leaves you wanting more. recorded during the dead of winter in pittsburgh, pa at the brass factory. mixed and recorded by jason kirker, member and principal noisemaker. the last 2 years have been very, very interesting for the band. after signing with mute recording in the uk and playing the granddaddy of all venues, the fillmore opening for dinosaur jr., the band took some time away to regroup and work on new material. the result is season of sweets. driven by drummer extraordinaire paul quattrone, the songs twist and turn through the imagery and dark rock that has made modey lemon famous. jason kirker (engineer and band member) uses various keyboards, moogs and instruments to make the sound more full. at the heart of this album is the energy and mysticism singer phil boyd leads you on. track number 5, become a monk is the more pop oriented and accessible track, with a great back beat and bass.

king tubby s music & dub store records veröffentlichen -soundclash dubplate style pt. 1-. das album beinhaltet 10 titel von verschiedenen künstlern.

byron the aquarius makes his eglo records debut following on from his two recent ep s for sound signature and wild oats. the alabama producer once again delivers something truly special, journeying through disco, jazz, acid, house and crashing 808 s. leaving this planet is an ep of two halves. the a-side bumps, with two bubbling house jams. whilst the b-side sees byron get loose over two freestyle jazz odysseys. music for the mind, body and soul.

its been a year or two since we featured a 12- single release from a new project. so hear at bearfunk we are really pleased to be releasing a cracker of a track. -gong bong-. it is from the caribbean house who are a new(ish) italian collective based around the core members of billy bogus & ferderico bologna. the original is one part slo-mo disco, one part psychedelic moondance and one part sci-fi horror movie. the track begins with swirling bass guitar and grinding synth before layering on a waft of sound effects and spooky keys. if the first two thirds of the track is a caterpillar then the last third is a butterfly as uplifting riffs and swirls of layered keys bring things to a crescendo. fellow italians the mushrooms project are up on remix duty first of all. they strip back the layers and concentrate on the growling bass and locked on pulsating synth. its back to the uk for the second remix where label honcho stevie kotey gets his percussion out for a drum, timpani and swing remix. stay tuned for more from the collective on bearfunk shortly.

its just over a year since we started our new label, real balearic. for our second artist album we are really pleased (and honoured) to welcome one of the few djs who can claim to be one of the founders of the eclectic balearic sound. take a trip back to the 70s and 80s in northern italy and you will fine daniele baldelli mixing up electronic, african and slo-mo disco records to co-create the electronica meccanica sub genre. records often would be played at the wrong or variable speed to be made to fit into a wide aural tapestry of his unexpected-but-seamlessly-flowing dj sets. this of course is an aesthetic close to us here at real balearic. a sound we are ever so pleased to have as part of the mixing pot for our new balearic label. for the album he pairs up with fellow italian dj rocca to serve up an eclectic â€,“, electronic â€,“, balearic feast.

rebel intelligence return with a new 4 track ep of electro from john davies aka datassette. the tracks were composed using a vintage japanese analogue setup, delivering a warm sound reminiscent of 80 s wave with the title track paying homage to mr flagio and i.m.s. the b side -metropolis light transport- brings a strong drexciyan influence matched to the signature sound you ve expect from a datassette release.

mental groove records is thrilled and honored to announce the follow up to last year water vein ep (mg115) by asian psilocybe foundation & dj yogurt. entitled daikaku, a buddhist term for one who has achieved enlightenment. this second installment smiles on geinoh yamashirogumi akiras soundtrack. apf is an eccentric japanese musician who raised attention from the detroit. remixed by jon dixon of underground resistanceÆs timeline, apf first ep was released by once legendary producer orlando voorn (fix, game one, baruka). on the a side he achieves to capture akiraÆs spirit with his own organic and floating sound signature within a long, delicate and trippy techno number while on the flipside dj yogurt, a regular figure of tokyos nightlife who worked at cisco records, delivers two straight percussive numbers fueled with traditional japanese flavor to take the most discerning floors to a tetsuo state-of-mind. mastered by music matters mastering and cut at emil berliner studios, berlin.

the album includes the most direct and propulsive shinoby material yet. there is a functional connection to dance music here, honing in on the celestial bliss s human element embedded within a sound fraught with inhumanity.the music is emotional, hostile, dark, grungy, dissenting, acidic and energetic. mostly based on repetitive patterns, the distorted yet perfectly balanced percussion drills through the concrete warehouse walls long into the night. the not occasional use of distortion brings the dense atmosphere to near suffocating limits.

ramrock records are proud to present the new album from musical visionary, ghetto priest. already known to many as the frontman of asian dub foundation and vocalist on their globally acclaimed single fortress europe , ghetto priest has been captivating audiences with his powerful vocals and magnetic stage presence over the past three decades. with a raw energy and spirit un-matched by many artists of his generation, he constantly pushes at the boundaries of roots music, his style strongly maintaining the essence of his jamaican heritage. produced by on-u sound supremo adrian sherwood.

the drum library series, which began back in 2001, has prided itself on compiling the hardest, crunchiest and most rarefed drums from every source imaginable. we’ve held to this standard for over 15 years, providing professional producers & bedroom beat makers alike with the largest collection of quality drums available today. in short, the drum library series has become an industry standard. the ever-expanding, go-to kit for beat makers around the world. now, with the conclusion of the series at volume 15, you hold in your hands, what will be the last vinyl incarnation of the drum library series.
these drums actually constitute what would have originally been volume 4 and 5 before the masters were initially thought to have been lost in a flood that gutted the studio where, up until then, the drum library series were made. fortuitously perhaps, these last two “orphaned” volumes were discovered safe & sound in a storage unit just as vol.15 was wrapping up. we’ve compiled them both here in one special edition volume.
we hope you’ve had as much fun using the drum library series as we’ve had making them. thank you for your support over the years!

russia’s finest delivers his first new music of 2017 with the ‘wolfpack ep’. back on critical pushing his sound even further enei gifts us an array of expertly executed drum & bass from the jump-up feels of lead track ‘wolfpack’ to the double-bass funk of ‘dark water’ featuring long time collaborator charli brix.
pressing on transparent green coloured vinyl.

180 gram heavyweight double vinyl pressing, cut from the 2007 remasters. housed in a gatefold sleeve, replicating the original album artwork.

after the first release in june 2016 and #002 following in early 2017, the berlin- based imprint through these eyes is ready to announce the next release. this time it features two heavy jungle tracks by austrian based artist sun people. on the name giving a-side of his through these eyes release sun people uses an iconic vocal sample, adds a gut-wrenching 95 style bass-line and tops it all off with some of the finest razor sharp percussions in the genre to deliver one of the most stomping tunes you ll hear this summer. nu gun on the flipside gets a lot more dubby with it s perfect jungle beat edits and moody chord stabs - all that laid out over a well known vocal sample. it can easily be considered a prime example of sun people s signature sound which is heavily rooted in dub, jungle and juke/footwork.

limited rsd 2017 release on heavyweight 180 gram green & orange vinyl, housed in a gatefold sleeve.
demon records are proud to present two original bbc doctor who titles, back to back. listen to tom baker narrate a classic episode where the doctor and sarah draw upon all their reserves of courage and ingenuity to defeat a violent attack on london by the pescatons. on the second lp enjoy a collection of doctor who sound effects from the classic tv show.

after his memorable ‘wolves’ ep of last year (which garnered great support and earned record of the week on b.traits bbc radio 1 show) florian busse returns to connected for his new release ‘heus’ ep on vinyl and digital,retaining and developing his idiosyncratic sound sculpting, florian has delivered another unique take for the dancefloor.

hamburg’s fine impro-trio treibgut blesses us with a wonderful ep this summer. after a brief hiatus the three boys have refined their trademark sound even more - sitting confidently somewhere between techno, house and melodic electronica. while treibgut’s shows normally are almost ethereal snapshots due to their improvisational nature, we were able to convince them to hold down two of their finest results on tape. the outcome is a two-track ep - complemented by spot-on reinterpretations from two early supporters of our label: iorie and the duo peng peng. one remix convinces with a straight-forward club approach while the b-side is a bit more mellow and relaxed.

come together: re.yous younion returns with more sublime unifying forces. beats that bring us closer, feelings that break down barriers and artist partnerships whose creative connections are more than the sum of their parts. the message is clear in every directio, from the longstanding younion parties across europe to the slow-but-smouldering rise of the label, of which we are proud to present its third release tapping into the very same younion spirit that regularly shakes the walls of iconic clubs such as watergate berlin and pacha barcelona, this four track ep is an incisively curated collective ep comprising three acts who complement each other implicitly. as the dust still settles from florian busses recent younion outing, and solomun continues to hammer the labels first release from eins tiefer, the timing couldnt be better. the perennially on-point dutchman rancido takes the lead with two deep tribal odysseys that take root in the sound he’s made his signature. both >lagos< and the vinyl-only >rabat< conjure deep mystic textures around his stately, restrained and constantly developing grooves. there is a reason he is released with the mighty innervisions in the past. deeper again re.you whips up a percussive storm over palpitating synths in the form of >dao< before handing the controls over to rising german duo cosmo & kramer for an inspiring finale. a duo re.you has been championing since they warmed up for him five years ago, >dance< is a calling card for an extremely exciting future… and it more than lives up to its name. three releases deep and younions unifying forces couldnt be stronger. its time to combine.

more than less, started from seoul, south korea, came back with 4th vinyl release “folka ep”, composed by joton, owner of newrhythmic records, based in north spain, leon. he is also part of more than less records, releasing “fragment ep” with soolee remixes in 2014. it had great success and been supported by many producers like surgeon, pacou, dvs1, invite, lakker, paul mac, samuli kemppi, unam zetineb, jeroen search and many more. “folka ep” has two new tracks, called “frontier” and “sendice”. these two tracks are remixed by japanese techno hero, dj nobu, and korean techno pioneer, soolee, again. the “folka ep” represents the conjunction of asianeuropean techno, which more than less has been pursuing. “frontier” has pure anlalog synth sounds with addicted melody line, based on rough sound textures. it’s obviously for the peak time of the dance floor. “sendice” has unique grooves which joton’s trademark and adding rhythmic loops gives numerous dance feelings. “frontier”, dj nobu remixed, gives hypnotic raw sounds and exotic feelings. it has subtle rhythmic factor and people can’t help moving their body. another remixer is, more than less records owner, soolee. it is 9 minute track, consisting with full of hypnotic sounds from the first to the end.

gary brackley aka g.r.i.t returns to meanwhile afor his second full length vinyl release following on from 2012 s ahighly regarded and asought after as i look to to the sky. the seven new tracks presented here acould easily be described as a great dub techno album by the lazy hack but the sound palette used goes way beyond that, afusing elements from detroit, drone, industrial, and ambient techno which when coupled with his production techniques result ain a sound that is uniquely g.r.i.t atake opening title track difting from the bay which draws on the sounds of detroit with emotive chords and delicate percussion, or principle with deep distorted amodulations. if you want a adance floor cut alook no futher that expansed awhich grooves with driving chords, and asubtle persussive builds, aor for asomething heavier there is -pheonix- awhich would sound quite at home in any techno main room. tracks such piagga and dead faces balance heavy industrial beats and noises with meloncholy chords and pads to produce tracks of immense depth and feeling. and closing the album perfectly is immersion with mournful aambient works-esq achords and melodies, in which you will indeed find yourself drifting from the bay

another hot steppa

*landing on partial, from the man jah scoop is insurrection’ - a moody and militant organ-tinged melodic instrumental piece, which refreshingly features nothing but “real instruments”. so, think late 1970’s style with perhaps an unintentional nod towards jackie mittoo’s ayatolla’ *despite the brooding pace and nature of insurrection’, it drops heavy on sound system, especially the echo-laden dub version on the b-side. *so, jah scoop? who dat? jah scoop is in fact guy mcaffer aka geezer, the legendary techno producer and artist geezer of¬ raw and stay up forever fame. he’s also the keyboard player for festival-favourites back to the planet and guitarist with punk outfit dogshite. that’s who.

king tubbys music & dub store records veröffentlichen soundclash dubplate style pt. 2. das album beinhaltet 10 titel von verschiedenen künstlern.

love cryme is back with another club-ready pressing of their signature sacramento based boogie funk sound. this is the much anticipated follow up to their sought after 2013 debut on rysque records, and is eddie pendergrass presents first 12inch offering. electric lady is a smooth, soulful scorcher while under the n fluence has a new jack swing influenced party vibe. second release from love cryme following their 2013 debut. tim tucker of love cryme recently released a sought after 7inch with brian ellis under the name birdbone unlimited, and has upcoming solo projects as well as a collaboration with boogie legend alfonzo. club-friendly 45rpm cut with vocal & instrumental of both tracks

from brussels comes cleveland, born in luxembourg from an italian family, andrea mancini, a 28 years old music producer has been behind releases on john talabot’s hivern discs, oskar offermann’s white, munich’s permanent vacation (and others). cleveland is able to enthral and captivate his audience, putting influences from various genres into one smooth hypnotic, adventurous and personal journey. built around warm tones of analog synths, esoteric atmospheres and percussive drums, cleveland s productions have an overall dreamy feel without losing its dance floor focus. he arranges every sound and movement to work in fluid harmony, gently lifting dance floors off the ground before they realise they re floating. he will release two new eps in summer 2017.

brothers black kick off their self-titled label with brbl001, a four-track original techno ep. following prior releases on their own joint imprint, bade records, and family labels safer at night and voxnox records, brbl is a new home where the pair will curate their own sound and productions. the pair kick off the a-side with creep oder was? , a stripped down vocal banger that teams hard-edged percussion with an acidic lead. the a2, axe to grind , combines dub chords with raw rolling percussion to create a deep hypnotic atmosphere. on the flip side, the b1 only human is a tense, driving tool with industrial tones that s perfect for the peak time hours. the b2, imagination barrier , is a frantic 140bpm techno exploration that combines the duo s signature vocals with heavily 90s influenced percussion.

after years of absence, elypsia records is finally back in full-effect and is proud to bring you this exceptional release by detroit housemaster: rick wade who is one of the most passionate producers we’ve had the chance to work with. timeless ep is deep, soulful, melodic detroit house for pure enjoyment.

the other man is a unique collaboration between up-and-coming young finnish producer janne tavi the flag-bearer of ibadans next generation nd acclaimed chicago house vocal legend robert owens. this ep is a superb rare gem that bridges global distances and combines a broad range of influences. the result is lush layers of sound, relentless energy, and intricate piano riffs and stabs. owensÆ poignant vocals seal the deal on this new house classic, taking it to sublime heights. the vocal dub kicks the heat up a notch with owensÆ seductive vocals and taviÆs stunning keys and arrangement. on the b-side, new york house legend kerri chandler makes a long-awaited return on ibadan. first up is a spirited vocal version with a dynamic bassline. chandler follows it up with an instrumental take, pared down to a tool and keeping the infectious groove going with deep and satisfying flavor.

after a long standstill, elypsia records is back in full-effect with an amazing release by scan 7, an artist collective from detroit whose existence goes back to the early days of detroit techno. scan 7 is considered by many as a pioneer of the underground detroit sound. this new release features the original version of scan 7’s “burdens down-, a brand-new song written & produced by detroit-techno newcomer mr. hooper featuring maurice jackson on vocals. the track - which has been performed live at the movement festival 2017 - has been very well-received by detroit insiders who see it as a new classic song of the genre. the package also includes the terrence parker’s radio edit of “burdens down” and the gospel-influenced “thank you lord-.

port o brien is dead, long live waters. these new songs veered away from the frequently loose, punchy anthems of port o brien, and as van pierszalowski intensively pieced each one together, he sought a bigger sound – something louder than he could play on his own. so van returned to oslo, where his new journey began.

weaving sophisticated orchestral scores with spacious electronic production, oofjs baroque modern pop perches on the edge of contemporary music, overlooking both the familiar past and the anything-goes future. after bonding over their mutual love for french synthesizer music, all things russian, and serge gainsbourg, jenno bjørnkjær and katherine mills rymer formed oofj, whose distinctive chilled-out sounds find their way deep into your ear like an electronic ind gyrating with eerie symphonies plus the delicate sound of expensive-lingerie vocals, that could make you cry in a good-looking way.

camea returns with the third release on her neverwhere imprint, titled vanish , this spring. in her new single, she digs deep on her drum machine into studio 1-esque territory, using alluring classic minimal techno grooves as a back drop for her seductively soulful, selfconflicted vocals. camea not only captures a timeless micro-house vibe in this piece, but she continues to push her sound forward as well as her love for avant-guard techno. up next is delft imprint boss, la-4a, best known for his analogue vintage roland drum machine productions. he has laid down an irresistible 303 break-beat club mix of camea s track in the a2 spot. his dance cut of her vocals over bass driven percussion is a perfect counter piece to the original, and compliments the sound from his recent acid techno album phonoautograph . on the flip side, berlin techno legend and ostgut ton/berghain resident tobias. gives his graceful interpretation. he has reworked the original into a tasteful, dark, spacious 8-minute minimal techno piece, with percolating panning and filters on the vocals. as usual with tobias., he clearly conveys his undeniable expertise and instinct for exquisite dance music. with this release, camea is also marking the 2nd anniversary of her cult neverwhere radio show this spring, having produced twenty-four, two-hour episodes with exclusive dj mixes and guests. the show currently has residencies on digitally imported, tsugi radio and ibiza sonica, and camea has quickly established herself as a driving force in the left-field techno community, and a passionate advocate of underground radio.

los angeles art and sound crew my hollow drum announces the first release from the newly minted my hollow drum label, easy listening, from genre bending producer co. fee. check!

same speed sambas are back to celebrate the sound of the summer in 2017 in their very own unique way. following on from last year s now hugely sought after debut, they have dug even deeper, searching out for more obscure uses of brasilian rhythms and coming up with two dance floor delights â&#128,&#147, one from denmark and another from right here in the uk â&#128,&#147, giving them once again, that unique same speed re-touch. samba operator takes a rare live recording of one of the uk s finest soul acts of the 80s biggest hits and re-works it into a mostrous tropical club anthem, while numero dois goes down the samba-not-samba route taking a danish 70s girl band and giving them some very warm disco treatment. the result is something very contemporary sounding that ll fire up the dance every time. all same speed releases are limited, hand-stamped vinyl-only affairs, but also be on the look out for the occasional re-work of more contemporary artists, available for free download as a little treat, to pimp up your dj sets this summer.

thelma houstons unreleased soulful aor tracks from 1980
after thelma ended her contract with motown, she went to work with terry woodford to record a set of tracks for her next album. unfortunately it didn t happened and the tracks was shelved for 36 years. until now. smooth breezy soulful aor with the wishbone inc signature sound, (byrne and barnes, robert byrnem mac mcanally and others) remastered and released on vinyl for the first time.
coverart by yoko honda
limited to 500 worldwide

killer chicago sound from jackin house to basement dance mania style

the new jerusalem-based label raash records opens its doors to spread the city s heavy mind-bending sound. the label kicks off with a debut 7inch by producer/musician ilia gorovitz. it s an explosive mixture of raw drums, gut-shaking riffs and head-swirling synths, influenced by the 1970 s horror film soundtracks and today s bass-heavy electronica - a combination that makes it appeal equally to psych and beat heads alike. side a s -turmoil- is a dirty and aggressive mid-tempo slasher, backed with a krauty crawling horror downbeat of -simmering with no end- on the flipside. recommended for fans of mophono, the gaslamp killer, drumetrics and goblin.

>lost in love< is the first single to be taken from l-vis 1990s forthcoming debut album, neon dreams. continuing a collaborative partnership which began on last years >forever you< single, breakthrough bristol-based vocalist javeon mccarthy once again takes centre stage here. through its melodious analogue synths, infectious vocal hooks and sub-4 minute running length, >lost in love< in many ways serves as the ideal entrée to neon dreams. this is the sound of l-vis 1990 revisiting the routes of his dance music love affair. picking up his own theme from the original—the classic french bassline—l-vis 1990s neon dreams club mix pushes the low-end triumphantly to the fore. club is certainly the operative word here, feel the remixs bangalter-esque bassline drop and your minds eye fixes instinctively upon an undulating dancefloor. the night slugs allstars — l-vis 1990, bok bok, jam city — also take the floor on their version, albeit via the neon-tinged scenic route. much like the label itself, their remix is replete with colour, difficult to define and relentlessly innovative.

rush plus continues onto their third release with a 4 track split ep with friends lpz (asuncion, paraguay). the first two releases from the washington, dc based duo/label focused on original material, rpdc003 showcases techno from another city with a burgeoning underground music scene south of the equator. lpz had made a name for themselves in 2016 honing their live performance, debuting on boiler room and building their label, the sequence party (which has invited the likes of truncate, marcel dettmann, et al) and presence in the south american/global underground. the trio s wealth of studio experience is imminent in their sound. they delivered two driving, hypnotic techno tracks in snooze & temp 8 on the a-side, tailored with two more tribal, hectic cuts from rush plus on the b-side. all tracks have been tested at warehouse parties in dc & asunscion, ready for international play

editions mego is proud to present the first release of a brand new project from jg thirlwell. recorded at self immolation studios, brooklyn. this is xordox.
all songs composed, performed and recorded by jg thirlwell at self immolation studios sarah lipstate - guitar on 3, 5 and 6 final mixes with al carlson at lazer sound inc greenpoint buchla and serge recordings made at ems stockholm tech and engineering at ems by jonas broberg and daniel araya mastered by scott hull at masterdisk

ltd new years deal - 50 % deal - in 1999, serotonin records released their final output, which happened to be the very first official release by fischerspooner, before they moved on to great international acclaim. serotonin was their introduction into the dance music world. one might think that the label would have grown only larger and more successful from this particular high point in its history - but life is uncertain and circumstances unforeseeable. label founders john selway and jason szostek became drawn away in different directions and the label ceased. recently however, they began to discuss bringing back the imprint, re-releasing or remixing old material, digging up their own unreleased productions and producing new material bridging the gap between their early styles and what they create individually now. they also began to look around for new artists that complimented the amorphous serotonin sound

we have already released the longer version of the northern classic ‘gone with the wind is my love’, but this kent 45 of rita & the tiaras’ masterpiece is the first time we have issued the doré single as it was originally put out. on the flip is the glorious instrumental version for lovers of that la orchestral soul sound.

2017 reissue , the debut release by austin, tx, artist disco nihilist combines acid and deep house to create a timeless ep. influenced heavily by old school chicago house and new yorks great nu groove records, all four tracks were made with simple hardware and recorded to cassette tape giving this record a physical presence that computer-produced tunes cant touch. despite the limited production tools, each track has its own distinctive flavor: pumping chords, looped bleeps, dub echoes, and jacking beats make for a diverse yet coherent sound throughout the ep. love what you feel is a new label from thomas cox (aka pipecock on various internet dance music forums), owner of the infinitestatemachine blog. the pressing process of this record has been documented step by step on infinitestatemachine, reaching a worldwide audience of thousands of deep dance music fans every week. readers from every continent are already anticipating this eps release

red axes have come a long way since the 2014 s ballad of the ice. tel-aviv, now a scene and sound that the duo were instrumental in putting on the map, has burst onto the world stage armed with limitless electronic bravado and the city s strong guitar music heritage. now, the much loved duo return, sophomore album in tow on their own label garzen records.